OLIVIA OWENS WYATT: 2 LA Events - LA Film Forum & Cinefamily

SUBLIME FREQUENCIES COMMUNIQUÈ

SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA

http://www.sublimefrequencies.com

Dear LA folks I am heading back to the west coast and would love to see you all or meet your friends! There are two really fun events happening. 

Details below...

Love 

O

LA FILM FORUM Presents: Jean Rouch's HORENDI 

+ panel discussion with Olivia Wyatt (Sublime Frequencies), Nancy Lutkehas & Michael Renov

Sunday, January 27th

7:30 pm

@ The Spielberg Theater at the Egyptian

6712 Hollywood Blvd, Los Angeles, CA

Jean Rouch is one of my absolute favorite filmmakers and HORENDI (1972) is an analytic essay about the relationship between dance and music at the center of a possession ceremony (certain sequences are made in synchronous slow-motion sound). Two women possessed by Kirey, a lightning divinity, are present during the seven days of initiation.

----------------------------------------------------

CINEFAMILY & CINESPIA SALON Present: The films of Olivia Wyatt w/ THE PIERCED HEART & THE MACHETE, VIBRAQUATIC, STARING INTO THE SUN 

Polaroids and video portraits + Q&A

Thursday, January 31st

7:30 pm

@ Cinefamily

611 N Fairfax Ave., Los Angeles 90036

$12 Buy Tickets

I am really excited about this event. We will screen The Pierced Heart & The Machete, shorts from Vibraquatic and excerpts of Staring into the Sun, plus Staring Polaroid prints will be on display. There will also be a little after party at Cinefamily with several DJs.

SUBLIME FREQUENCIES is a collective of explorers dedicated to acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, and other forms of human and natural expression not documented sufficiently through all channels of academic research, the modern recording industry, media, or corporate foundations. SUBLIME FREQUENCIES is focused on an aesthetic of extra-geography and soulful experience inspired by music and culture, world travel, research, and the pioneering recording labels of the past including OCORA, SMITHSONIAN FOLKWAYS, ETHNIC FOLKWAYS, LYRICHORD, NONESUCH EXPLORER, MUSICAPHONE, BARONREITER, UNESCO, PLAYASOUND, MUSICAL ATLAS, CHANT DU MONDE, B.A.M., TANGENT, and TOPIC. SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA

3 NEW SUBLIME FEQUENCIES RELEASES - OUT NOW

SUBLIME FREQUENCIES COMMUNIQUÈ

SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA

http://www.sublimefrequencies.com

Order from Forced Exposure http://beta.forcedexposure.com/Home.html

Pop Yeh Yeh: Psychedelic Rock from Singapore and Malaysia 1964-1970 CD SF079

Until now, for some unknown reason, the psychedelic rock movement in Singapore and Malaysia, aka Pop Yeh Yeh, has never been given the worldwide attention it deserves. This compilation- Pop Yeh Yeh – Psychedelic Rock from Singapore and Malaysia – 1964-1970 – Vol. 1 - is the first of its kind to focus solely on the Malayrock groups of this region.

The Pop Yeh Yeh era, which took place roughly between the years of 1964 to 1970, coincided with the rapid modernization happening at the time in Singapore and Malaysia. (Sublime Frequencies has already released many incredible compilations from neighboring Indonesia, so it’s about time that the Malaysian groups got some attention!) Pop Yeh Yeh artists instinctively cross-pollinated electric sounds of the West with Malay melodies, and added their own local poetic voice to the lyrics they wrote – sung in Malay (and sometimes Bawean). The Pop Yeh Yeh musicians started out playing in styles inspired by Western groups like the Beatles and Cliff Richard, but they eventually succeeded in creating a sound all their own – a sound that is not only accessible to the Western ear, but also retains an undeniable Malay personality.

Nearly eight years in the making, this compilation was exhaustively researched and compiled by Carl Hamm and features 26 classic tracks of the very best bands and singers from Singapore and Malaysia’s Pop Yeh Yeh era, including M. Osman, Orkes Nirwana, Adnan Othman, A. Halim, Roziah Latiff and the Jayhawkers, J. Sham, Hasnah Haron, Zaleha Hamid, and many more. This CD edition comes in a tri-fold digipak with gorgeous artwork, two 40 page booklets with insanely extensive liner notes including band/artist bios, an overview of the era, translated lyrics, and plenty of rare photos taken from vintage magazines, album covers, and the artists’ own personal collections.

Samples: http://beta.forcedexposure.com/Catalog/SF.079CD.html

Scattered Melodies: Korean Kayagum Sanjo LP SF077

[Sublime Frequencies releases their first 78rpm compilations, and true to form these are sounds rarely heard by contemporary Western ears. These 2 albums (SF077/SF078) are compiled by Robert Millis, a long time Sublime Frequencies contributor and a founding member of Climax Golden Twins, He is the author of Victrola Favorites: Artifacts from Bygone Days (Dust-to-Digital 2008), a book of historic early recording documentation, ephemera and music drawn from Millis' 78rpm collection. In 2011, he produced and helped design …i listen to the wind that obliterates my traces (Dust-to-Digital), a similar book drawn from the collection of artist Steve Roden. In addition to composition, sound art practice and design, he has filmed and produced experimental documentaries on Asian music: Phi Ta Khon: Ghosts of Isan and This World is Unreal like a Snake in a Rope (both for Sublime Frequencies DVD release) and is an obsessive collector of 78rpm music records and ephemera.]

Scattered Melodies (SF077) is a compilation of Korean Kayagum Sanjo Music. Sanjo, meaning "scattered melodies," is a form of stylized string improvisation developed in the 1890s originally for the Korean kayagum, a smaller distant cousin of the Japanese koto. Stark and haunting, falling in the gaps between folk and classical music, kayagum sanjo employs a gradually increasing tempo, focused improvisation (the “scattering of melodies”), elastic rhythms, and intense snaps and vibrato that seem to power through the hazy abstractions of the 78rpm recording technology (these are old, exceedingly rare records that have survived nearly insurmountable odds: invasion, occupation, war, division.) Presented here are a few of the masters of sanjo as it originally emerged in the early part of the 20th century on 78rpm recordings from 1925 to the early 1950s. This limited edition LP comes enclosed in a beautiful tip-on jacket with two-sided insert featuring extended liner notes by compiler Robert Millis.

Samples: http://beta.forcedexposure.com/Catalog/SF.077LP.html

The Crying Princess:78 rpm Records From Burma LP SF078

[Sublime Frequencies releases their first 78rpm compilations, and true to form these are sounds rarely heard by contemporary Western ears. These 2 albums (SF077/SF078) are compiled by Robert Millis, a long time Sublime Frequencies contributor and a founding member of Climax Golden Twins, He is the author of Victrola Favorites: Artifacts from Bygone Days (Dust-to-Digital 2008), a book of historic early recording documentation, ephemera and music drawn from Millis' 78rpm collection. In 2011, he produced and helped design …i listen to the wind that obliterates my traces (Dust-to-Digital), a similar book drawn from the collection of artist Steve Roden. In addition to composition, sound art practice and design, he has filmed and produced experimental documentaries on Asian music: Phi Ta Khon: Ghosts of Isan and This World is Unreal like a Snake in a Rope (both for Sublime Frequencies DVD release) and is an obsessive collector of 78rpm music records and ephemera.]

The Crying Princess (SF078) compiles rare Burmese 78rpm records gathered by Robert Millis and Sublime Frequencies co-founder Alan Bishop during various trips to Burma (Myanmar) and continues the tradition of amazing music from this Southeast Asian nation released by SF (Princess Nicotine, Guitars From the Golden Triangle, Music of Nat Pwe). Spanning the years 1909 to 1960 these unique and ridiculously rare records feature early sides by Po Sein (one of the giants of early Burmese music and theater), vocal and harp music from 1929, "modern songs with electric guitar", and unique Burmese pop songs with piano, all from 78rpm sources. This limited edition LP comes enclosed in a beautiful tip-on jacket with two-sided insert featuring liner notes by compiler Robert Millis.

Samples: http://beta.forcedexposure.com/Catalog/SF.078LP.html

SUBLIME FREQUENCIES is a collective of explorers dedicated to acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, and other forms of human and natural expression not documented sufficiently through all channels of academic research, the modern recording industry, media, or corporate foundations. SUBLIME FREQUENCIES is focused on an aesthetic of extra-geography and soulful experience inspired by music and culture, world travel, research, and the pioneering recording labels of the past including OCORA, SMITHSONIAN FOLKWAYS, ETHNIC FOLKWAYS, LYRICHORD, NONESUCH EXPLORER, MUSICAPHONE, BARONREITER, UNESCO, PLAYASOUND, MUSICAL ATLAS, CHANT DU MONDE, B.A.M., TANGENT, and TOPIC. SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA

OUT NOW: Molam: Thai Country Groove from Isan 2-LP SF019

SUBLIME FREQUENCIES COMMUNIQUÈ

SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA

http://www.sublimefrequencies.com

Molam: Thai Country Groove from Isan 2-LP SF019 

Double LP reissue of the long out-of-print classic CD first released in 2004 -- the first modern electrified Molam recordings from the 1970s ever presented outside Thailand. Molam is a multi-faceted folk music native to Laos and the predominantly rural Northeastern region of Thailand known as Isan, home to myriad ethnic groups and provinces, and once a part of present-day Laos. Mo meaning "master" and lam meaning "song," "molam" literally translates into "master singer," but it remains more of an umbrella term covering over a dozen types of lam styles in which male and female singers can be backed by a free-reed bamboo mouth organ called a khaen, indigenous lute-like instruments (the phin or the soong), a bowed fiddle called a sor and a percussion ensemble featuring finger cymbals and hand drums. Lam phun and lam sing are the two molam styles featured most prominently in this collection. Also in the musical family is look thoong, a slower, more tragic style, usually lamenting lost love and perpetual poverty. Examples are heard on tracks 10, 15 and 20. Costumed Isan comedy troupes called Talok incorporate hyper-eccentric molam and look thoong renditions with low, vaudevillian comedy and high social satire on stages and TVs throughout the country. Maniacal examples are heard on tracks 2, 8 and 11. The classic recordings featured here are selections from rare vinyl LPs, 45s and cassettes recorded in Isan and beyond between the 1970s and 1980s. This was a pivotal time when music of the region began to be electrified and integrated with Western instruments, when electric bass, effected guitars, electric organs, kit drums and horns played alongside the khaen and the phin. Molam had never sounded this way before -- and due to the typically ephemeral nature of the music industry and the introduction of the modern keyboard work-station, molam will never sound like this again. This vinyl 2LP edition comes housed in a full-color heavy duty gatefold jacket with gorgeous original artwork and liner notes. Compiled by Alan Bishop and Mark Gergis, October, 2004.

Order from Forced Exposure:
http://beta.forcedexposure.com/Catalog/SF.019LP.html


SUBLIME FREQUENCIES is a collective of explorers dedicated to acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, and other forms of human and natural expression not documented sufficiently through all channels of academic research, the modern recording industry, media, or corporate foundations. SUBLIME FREQUENCIES is focused on an aesthetic of extra-geography and soulful experience inspired by music and culture, world travel, research, and the pioneering recording labels of the past including OCORA, SMITHSONIAN FOLKWAYS, ETHNIC FOLKWAYS, LYRICHORD, NONESUCH EXPLORER, MUSICAPHONE, BARONREITER, UNESCO, PLAYASOUND, MUSICAL ATLAS, CHANT DU MONDE, B.A.M., TANGENT, and TOPIC. SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA