Sublime Frequencies Communiqué

Sublime Frequencies Communiqué

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Showing posts with label Mark Porest. Show all posts
Showing posts with label Mark Porest. Show all posts

01 August 2014

OUT NOW! Choubi Choubi! Folk & Pop Sounds from Iraq Vol. 1 VA 2cd and Ecstatic Music of the Jemaa El Fna VA cd

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

OUT NOW!


Ecstatic Music of the Jemaa El Fna


Various Artists CD


SF - 056CD

To hear samples and order — Forced Exposure: 


For centuries, the Jemaa El Fna (Rendezvous of the Dead) has remained the stage for one of the most spectacular social forums on the planet. By day, this central square in the city of Marrakesh, one of Morocco's great imperial cities, fosters a kaleidoscope of entertainment for its local inhabitants; storytellers, acrobats, magicians and snake charmers all create intriguing displays of bewitching spectacle. As the sun sets, the evening grows frantic with the pulse of the crowd; it is then that the night musicians set up. Free from the restrictions and expectations of light entertainment for a tourist crowd, these musicians manifest ecstatic performances that animate the audience and players alike. The groups represented on this album; Troupe Majidi,Amal Saha, and Mustapha Mahjoub, are working and carrying the torch of their musical heroes nightly in the square. These songs come from the repertoire of Morocco's greatest musical exports: Nass El GhiwaneLemchahebJil JilalaLarssad, and many others from the Chaabi (Moroccan popular music) canon and are given a raw, emotional and fiery interpretation. Instruments are powered by car batteries and blown out through megaphone speakers. These recordings represent a rare opportunity to hear this music at such close proximity, taking in all the power and passion of the performances. The raw fidelity captures an unflinching immersion of what is simply some of the greatest street music on earth. Recorded by Hisham Mayet in 2005, a few of these performances were featured in his film Musical Brotherhoods from the Trans-Saharan Highway. This collection also contains tracks not present in the film for a more potent snapshot of the ecstatic Jemaa El Fna. Debut CD digipak edition of this sold-out LP with booklet & photos of the musicians and liner notes by Hisham Mayet.


OUT NOW!


Choubi Choubi! 

Folk & Pop Sounds from Iraq 


Vol. 1 


Various Artists 2CD


SF - 1025CD


To hear samples and order — Forced Exposure: 


Originally released in 2005, while the U.S.-led war against Iraq was tearing the country to pieces, Choubi Choubi Vol. 1 brought a collection of incredible Iraqi music and styles that had rarely showcased abroad. This 2014 deluxe-edition 2CD reissue is a must-have. It features re-mastered, and in some cases, completely restored audio, revised and updated liner notes with new artist and track information, plus four additional tracks not featured in the first CD issue. Meticulously compiled by Mark Gergis from his archives of Iraqi cassettes and LPs found in Syria, Europe and the Iraqi neighborhoods of Detroit, Michigan and elsewhere within the diaspora, this unique collection of folk and pop styles displays a wealth of outstanding music that is exclusive to Iraq. Choubi is Iraq's version of Middle Eastern dabke music, and can be found throughout the country. It's performed at weddings and parties nationally by its melting pot of Arabs, Kurds, Christians, and Rom gypsies -- known as Kawlia. The Kawlia have been some of the most active recorded choubi artists in Iraq since the 1980s, and many tracks featured in this volume feature their outstanding performances. There are many reasons why Iraqi music stands alone in the dynamic world of Arabic music: one example is the unbelievable rapid-fire machine-gun rhythms fluttering atop the main tempo. This is the work of a unique nomadic hand drum called the Khishba -- also known as the Zanbour (Arabic for wasp). A style prominently featured here is the infamous Iraqi Choubi -- a driving, rhythmic style that can include fiddles, double reeded instruments, percussion, bass, keyboards and oud over its signature beat. Other styles featured are the Basta (an urban Baghdadi sound), Iraq's legendary brand of Mawal -- an ornamental vocal improvisation that sets the tone of a song, regardless of the style, and the outstanding Iraqi Hecha -- with its lumbering and determined rhythm pulsing beneath sad, antagonized vocals. Most of the music in this collection was produced during the Saddam period -- between the 1980s and 2002. Since the 2003 invasion and the wholesale disassembly of the country, classic tracks like these have already become part of a disappeared past. This 2CD package comes in a beautifully redesigned digipak and features 70 minutes of classic original recordings compiled by Mark Gergis with extensive liner notes.

10 June 2014

OUT NOW! CHOUBI CHOUBI FOLK AND POP SOUNDS FROM IRAQ 2LP SF025

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

OUT NOW! 

CHOUBI CHOUBI FOLK AND POP SOUNDS FROM IRAQ 2LP 

SF025
To hear samples and order — Forced Exposure


Originally released in 2005, while the U.S.-led war against Iraq was tearing the country to pieces, Choubi Choubi Vol. 1 brought a collection of incredible Iraqi music and styles that had rarely showcased abroad. This 2014 deluxe-edition vinyl reissue is a must-have. It features re-mastered, and in some cases, completely restored audio, revised and updated liner-notes with new artist and track information, plus four additional tracks not featured in the first CD issue. Meticulously compiled by Mark Gergis from his archives of Iraqi cassettes and LPs found in Syria, Europe and the Iraqi neighborhoods of Detroit, Michigan and elsewhere within the diaspora, this unique collection of folk and pop styles displays a wealth of outstanding music that is exclusive to Iraq. Choubi is Iraq's version of Middle Eastern dabke music, and can be found throughout the country. It's performed at weddings and parties nationally by its melting pot of Arabs, Kurds, Christians, and Rom gypsies -- known as Kawlia. The Kawlia have been some of the most active recorded choubi artists in Iraq since the 1980s, and many tracks featured in this volume feature their outstanding performances. There are many reasons why Iraqi music stands alone in the dynamic world of Arabic music: one example is the unbelievable rapid-fire machine-gun rhythms fluttering atop the main tempo. This is the work of a unique nomadic hand drum called the Khishba -- also known as the Zanbour (Arabic for wasp). A style prominently featured here is the infamous Iraqi Choubi -- a driving, rhythmic style that can include fiddles, double reeded instruments, percussion, bass, keyboards and oud over its signature beat. Other styles featured are the Basta (an urban Baghdadi sound), Iraq's legendary brand of Mawal -- an ornamental vocal improvisation that sets the tone of a song, regardless of the style, and the outstanding Iraqi Hecha -- with its lumbering and determined rhythm pulsing beneath sad, antagonized vocals. Most of the music in this collection was produced during the Saddam period -- between the 1980s and 2002. Since the 2003 invasion and the wholesale disassembly of the country, classic tracks like these have already become part of a disappeared past. This limited edition 2LP vinyl release features 70 minutes of classic original recordings compiled by Mark Gergis, housed in a beautiful full-color gatefold jacket with extensive liner-notes and a bonus 7" with a picture sleeve.

23 March 2012

S.F. 2009 Interview Podcast: Hisham, Alan and Mark


Sublime Frequencies – Music from the Backyard Melting Pots



2009 - Juli - Sublime Frequencies
Melting Pot ist eine Metapher für Orte, in denen verschiedene kulturelle Einflüsse zusammenfliessen und etwas neues ergeben, die Hinterhöfe sind im übertragenen Sinne die abseits gelegenen, unbekannteren Regionen der Welt, in denen Sublime Frequencies ihre Klänge sammeln. In der Aufzeichnung einer Diskussion stellen die Nordamerikaner ihre Arbeit vor. Als global traveler dokumentieren die Mitglieder des Kollektivs – Alan Bishop, Hisham Mayet und Mark Gergis – lokale Klangbilder zwischen Nordafrika und Südasien. Radiocollagen und eine stetig wachsende Platten- und Audiokassettensammlung von historisch-traditionellen Klängen bis hin zur urbanen Musikkultur dieser abgelegenen Orte bilden das wertvolle Archiv von Sublime Frequencies. Es soll ungefiltert und unverfälscht die westliche Welt erreichen, um einen (musikalischen) Dialog zwischen Osten und Westen, Nord und Süd, den glitzernden Shoppingmalls der Industrieländer und den versmogten Hinterhöfen zu eröffnen.
Dabei kritisieren die Mitglieder von Sublime Frequencies etablierte Mainstream-Strukturen: ihre Arbeit formiert eine Gegenfluß zu den Strom an Kultur, mit denen amerikanisch und europäisch dominierte Medien- und Musikkonzerne den Rest der Welt zu betonieren. Sie finden sich nicht damit ab, dass ihre Projekte in Schubladen gesteckt werden: weder akzeptieren sie wissenschaftliche Definitionen noch die üblichen kommerziellen Konzepte unabhängiger Plattenfirmen. Ihnen geht es um die ursprüngliche, rohe Musik – und sie zollen ihr in ihrer Originalität Respekt.
Im Podcast stellen Sublime Frequencies ihre Arbeit, ihre Motivation und aktuelle Projekte vor. Die Diskussion fand anläßlich von Structures Node 1: Global Alchemy im Juni 2009 statt, eine Veranstaltung der Club Transmediale.
Podcast interview is in English

Link for podcast below...

http://www.bln.fm/2009/07/sublime-frequencies-music-from-the-backyard-melting-pots/  


SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA