Pages

10 November 2014

OUT NOW AND IN STOCK! Omar Khorshid and his Group: Live in Australia 1981 LP

SUBLIME FREQUENCIES COMMUNIQUÈ

SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA



http://www.sublimefrequencies.com

Omar Khorshid and his Group:
Live in Australia 1981 LP
SF091


To hear samples and order from Forced Exposure:

LP SF091
This is the first live concert recording ever issued of legendary Egyptian guitarist Omar Khorshid and his group. It features tracks recorded during his 1981 tour of Australia including live versions of songs that grace his various LPs recorded for Lebanese and Egyptian labels during the 1970s with one phenomenal tune, Al Rabieh, being exclusive here as never before issued in any form. Collected and researched by Khorshid historian Hany Zaki in Cairo, this unbelievable treasure is now available for the world to behold. (Limited Edition LP release in full color gatefold jacket with exquisite photos from Khorshid's friend and fellow guitarist Mohamed Amine’s personal archive and informative liner notes by Hany Zaki)

This is the first live concert recording ever issued of legendary Egyptian guitarist Omar Khorshid and his group. It features tracks recorded during his 1981 tour of Australia, including live versions of songs that grace his various LPs recorded for Lebanese and Egyptian labels during the 1970s with one phenomenal tune, "Al Rabieh," being exclusive here as never before issued in any form. The sound is surprisingly great for a live cassette recording and the band is as sharp and monumental as ever, with stunning instrumental performances throughout, including an extended improvisational rhythmic exchange between percussionist Ibrahim Tawfiek and Omar's electric guitar on the epic track "Sidi Mansour." This record is loaded with Khorshid's signature microtonal Arabesque surf guitar elegance darting atop the backing band's brilliant accompaniment, and the tones of organist Fouad Rohaiem sound raw and abrasive, as though it were still 1973. The album has even more nostalgic (and tragic) significance as these shows would be his last; a car accident claiming Omar's life within 72 hours of flying back to Cairo from Australia. Mohamed Amine, Khorshid's lifelong friend and member of his group from 1975-1981, recorded these tracks and provided the photographs that embellish the beautiful gatefold jacket that accompanies this LP. Collected and researched by Khorshid historian Hany Zaki in Cairo, this unbelievable treasure is now available for the world to behold. Limited edition LP release in a full-color gatefold jacket with exquisite photos from Mohamed Amine's personal archive and informative liner notes by Hany Zaki.

24 September 2014

NEW RELEASE OUT NOW! VODOUN GODS ON THE SLAVE COAST BY HISHAM MAYET S.F. 089DVD

SUBLIME FREQUENCIES COMMUNIQUÈ

SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA



http://www.sublimefrequencies.com

VODOUN GODS 
ON THE SLAVE COAST

Directed by Hisham Mayet

.
DVD SF089

Order from Forced Exposure: 



Vodoun Gods on the Slave Coast explores the ceremonial splendor of sacred dance and ritual in Benin, the birthplace and cradle of Vodoun. Formerly known as Dahomey, Benin was also called the Slave Coast due to its importance in the trans-Atlantic slave trade. Today, the worship and supplication of Vodoun gods remains integral to everyday life in Benin. Shot in January 2011 during the country's rich annual Vodoun celebrations, this film offers an impressionistic glimpse of the major ceremonies and delirious musical performances associated with this ancient religion. Guided by the otherworldly rhythms and colors of Vodoun pageantry, Hisham Mayet presents an intimate view of metaphysical dramas enacted in magisterial costumes: The cult of Sakpata, fearsome god of pestilence, disfigurement and healing. The Egoun-goun, ancestral visitors from the realm of the dead, who bring blessings and warnings for the living. And the Zangbeto nightwatchmen, ambulatory haystacks who serve as Vodoun's secret police. Traveling in a malarial fever dream from the clutter and bustle of village markets to the palace of Ahosu Agoli-Agbo Dedjalagni, the King of Abomey, Mayet provides an unforgettable portrait of secular and sacred life in Benin. Digipack with 12-page booklet of photographs from various Vodoun ceremonies throughout Benin; 48 minutes/color; all-region DVD, NTSC format. Limited one-time edition of 1,000 copies.



21 September 2014

FORTHCOMING RELEASE: A Distant Invitation: Street & Ceremonial Recordings from Burma, Cambodia, India, Indonesia, Malaysia and Thailand VA LP

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

FORTHCOMING S.F. RELEASE: 

A Distant Invitation: Street & Ceremonial Recordings from Burma, Cambodia, India, Indonesia, Malaysia and Thailand 
VA LP


RELEASE DATE 11/25/2014


TO PRE-ORDER AND LISTEN TO SAMPLES: 

http://www.forcedexposure.com/Catalog/SF.093LP.html



A hallucinogenic splatter-drift audio meltdown through the streets and back alleys of Southeast Asia recorded and assembled by Seattle-based multi-sword-wielding artist Jesse Paul Miller (Factums/Secret Records/Liver & Bacon/Big Tribal Balls). This limited edition LP includes street and folk music, situational ambience, radio excerpts, and psychedelic atmospheres from Burma, Cambodia, India, Indonesia, Malaysia, and Thailand. "We heard them from a distance, bells in the back alleys of Surakarta ... Then, one day, two weeks later, we walked around a corner and there they were, a troupe of roving gamelan musicians and a monkey with a mask ... If one wanders the streets of Southeast Asia, they will undoubtedly hear a variety of fascinating sounds; those created by street musicians, sellers in markets, horns from temples and mosques, woven with insect songs, birds, dogs, motorcycles. Intended to engage and entertain a host of spirits and gods, festivals and processions are frequent in certain regions. They can be extremely vibrant and overwhelmingly powerful energy situations. In rituals, the use of random multiple layers or instrumental vibrations can be intended to confuse or scare off bad spirits, and this can be very disorienting for the living listener also. Street musicians combine older instruments with electrical delivery systems in the form of genius portable battery-operated-waist-pack mini-horns connected to keyboards, karaoke machines, and folk instruments -- sometimes with effects. These musicians sit roadside; in some places they hop on buses between stops. In markets and along roadsides, sellers manipulate their voices to advertise using delay effects. Food cart proprietors use an incredible array of sonic methods to attract customers. They tap on objects, use steam whistles; sing like birds, use bits of Western jingles (and much more). Buddhist, Hindu, and Muslim broadcasts can be heard blasting through loudspeakers. With the addition of amplification, there is usually some form of distortion inherent to the speaker systems, often magically enhancing the voices, mixing in with the urban or rural soundtrack. The sonic tapestry of any space can reveal poetic insights. There is the perspective that all audio events in an environment, regardless of their form, can be heard musically. The vitality and depth of human expression, whether awe-inspiring or minute in all of its multitudinous manifestations, is for now, intact in Southeast Asia, and very much alive." --Jesse Paul Miller; This limited edition LP comes in a full-color tip-on jacket with a two-sided insert including photos by Linda Peschong & detailed liner notes and personal impressions by sound artist & compiler Jesse Paul Miller.

20 September 2014

FORTHCOMING S.F. RELEASES: OMAR KHORSHID AND HIS GROUP LIVE IN AUSTRALIA 1981 LP / FOLK MUSIC OF THE SAHEL VOL. 1: NIGER 2LP

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

OMAR KHORSHID AND HIS GROUP
LIVE IN AUSTRALIA 1981



To Pre-Order and listen to samples: http://www.forcedexposure.com/Catalog/SF.091LP.html

LISTEN to OMAR KHORSHID AND HIS GROUP's 'Sidi Mansour (Tunisian Folklore)', taken from the forthcoming SUBLIME FREQUENCIES LP, Live in Australia 1981 http://tinyurl.com/qfmbyzd

"This is the first live concert recording ever issued of legendary Egyptian guitarist Omar Khorshid and his group. It features tracks recorded during his 1981 tour of Australia, including live versions of songs that grace his various LPs recorded for Lebanese and Egyptian labels during the 1970s with one phenomenal tune, "Al Rabieh," being exclusive here as never before issued in any form."


"Limited edition LP release in a full-color gatefold jacket with exquisite photos from Mohamed Amine's personal archive and informative liner notes by Hany Zaki."


FOLK MUSIC OF THE SAHEL VOL. 1: NIGER 2LP



PREVIEW "Bismillhia (Tuareg/Zarma)" from the forthcoming SUBLIME FREQUENCIES 2LP set, Folk Music of the Sahel Vol. 1: Niger




"Folk Music of the Sahel: Niger consists of field recordings collected in the Republic of Niger during the course of six expeditions undertaken by Hisham Mayet between 2004 and 2014. This first volume in Sublime Frequencies' new Folk Music of the Sahel series comprises a subjective but spectacular overview of Hausa, Zarma, Fulani, Songhai and Tuareg music culled from Mayet's rich archives."

"The gorgeous gatefold cover features a 25-page bound-in booklet with extensive and informative liner notes, as well as Mayet's emblematic photographs from towns and villages throughout the region."


01 August 2014

OUT NOW! Choubi Choubi! Folk & Pop Sounds from Iraq Vol. 1 VA 2cd and Ecstatic Music of the Jemaa El Fna VA cd

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

OUT NOW!


Ecstatic Music of the Jemaa El Fna


Various Artists CD


SF - 056CD

To hear samples and order — Forced Exposure: 


For centuries, the Jemaa El Fna (Rendezvous of the Dead) has remained the stage for one of the most spectacular social forums on the planet. By day, this central square in the city of Marrakesh, one of Morocco's great imperial cities, fosters a kaleidoscope of entertainment for its local inhabitants; storytellers, acrobats, magicians and snake charmers all create intriguing displays of bewitching spectacle. As the sun sets, the evening grows frantic with the pulse of the crowd; it is then that the night musicians set up. Free from the restrictions and expectations of light entertainment for a tourist crowd, these musicians manifest ecstatic performances that animate the audience and players alike. The groups represented on this album; Troupe Majidi,Amal Saha, and Mustapha Mahjoub, are working and carrying the torch of their musical heroes nightly in the square. These songs come from the repertoire of Morocco's greatest musical exports: Nass El GhiwaneLemchahebJil JilalaLarssad, and many others from the Chaabi (Moroccan popular music) canon and are given a raw, emotional and fiery interpretation. Instruments are powered by car batteries and blown out through megaphone speakers. These recordings represent a rare opportunity to hear this music at such close proximity, taking in all the power and passion of the performances. The raw fidelity captures an unflinching immersion of what is simply some of the greatest street music on earth. Recorded by Hisham Mayet in 2005, a few of these performances were featured in his film Musical Brotherhoods from the Trans-Saharan Highway. This collection also contains tracks not present in the film for a more potent snapshot of the ecstatic Jemaa El Fna. Debut CD digipak edition of this sold-out LP with booklet & photos of the musicians and liner notes by Hisham Mayet.


OUT NOW!


Choubi Choubi! 

Folk & Pop Sounds from Iraq 


Vol. 1 


Various Artists 2CD


SF - 1025CD


To hear samples and order — Forced Exposure: 


Originally released in 2005, while the U.S.-led war against Iraq was tearing the country to pieces, Choubi Choubi Vol. 1 brought a collection of incredible Iraqi music and styles that had rarely showcased abroad. This 2014 deluxe-edition 2CD reissue is a must-have. It features re-mastered, and in some cases, completely restored audio, revised and updated liner notes with new artist and track information, plus four additional tracks not featured in the first CD issue. Meticulously compiled by Mark Gergis from his archives of Iraqi cassettes and LPs found in Syria, Europe and the Iraqi neighborhoods of Detroit, Michigan and elsewhere within the diaspora, this unique collection of folk and pop styles displays a wealth of outstanding music that is exclusive to Iraq. Choubi is Iraq's version of Middle Eastern dabke music, and can be found throughout the country. It's performed at weddings and parties nationally by its melting pot of Arabs, Kurds, Christians, and Rom gypsies -- known as Kawlia. The Kawlia have been some of the most active recorded choubi artists in Iraq since the 1980s, and many tracks featured in this volume feature their outstanding performances. There are many reasons why Iraqi music stands alone in the dynamic world of Arabic music: one example is the unbelievable rapid-fire machine-gun rhythms fluttering atop the main tempo. This is the work of a unique nomadic hand drum called the Khishba -- also known as the Zanbour (Arabic for wasp). A style prominently featured here is the infamous Iraqi Choubi -- a driving, rhythmic style that can include fiddles, double reeded instruments, percussion, bass, keyboards and oud over its signature beat. Other styles featured are the Basta (an urban Baghdadi sound), Iraq's legendary brand of Mawal -- an ornamental vocal improvisation that sets the tone of a song, regardless of the style, and the outstanding Iraqi Hecha -- with its lumbering and determined rhythm pulsing beneath sad, antagonized vocals. Most of the music in this collection was produced during the Saddam period -- between the 1980s and 2002. Since the 2003 invasion and the wholesale disassembly of the country, classic tracks like these have already become part of a disappeared past. This 2CD package comes in a beautifully redesigned digipak and features 70 minutes of classic original recordings compiled by Mark Gergis with extensive liner notes.

16 July 2014

OUT NOW! 1970's ALGERIAN PROTO-RAI UNDERGROUND NEW REPRESS CD - SF045

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com


OUT NOW! 

1970's ALGERIAN PROTO-RAI

UNDERGROUND

VA CD - SF045


To hear samples and order — Forced Exposure





This is a new 2014 digipak designed CD repress of the limited LP pressing which sold out almost immediately when released in 2008. This is Raï music from Algeria as you've not heard it before. In the early 1970s, a new group of singers and musicians were operating on the northwest coast, and what they pioneered was a sound that eventually reached worldwide status by the end of the decade; however, their names are relatively unknown to this day outside Algeria. This crucial and defining period of the development of Raï is criminally ignored and overlooked by Algerian music historians and Raï fans. Due to censorship and government-controlled music diffusion, this scene and lyrical style was forced underground and banned from broadcasts, yet slowly built a small following around the seaside cabarets of Wahran (Oran). This period witnessed the rise of artists such asGroupe El Azhar ("The Flowers" group) and Messaoud Bellemou, who can comfortably be considered the Godfather of the modern Raï sound. His group, L'Orchestre Bellemou, rewrote a heritage of centuries by using modern instruments and especially the trumpet, which became, during the 1970s, the backbone of the Wahrani genre. Reinterpreting the gasbamelodies on trumpet, Bellemou backed singers such asBoutaiba Sghir and Sheikh Benfissa who carried on the lyrical tradition of their forefathers singing about daily preoccupations and problems as well as love affairs, alcohol, or simply owning an automobile! Toward the late 1970s,Cheb Zergui brought a newer ingredient: an electric guitar with a wah-wah pedal. Thankfully, the late 1960s saw the development of vinyl pressing in Algeria. This new industry allowed many small artists including the Wahrani "scene" to record and release singles documenting their repertoire. This compilation is a selection of this proto-Raï scene's vinyl 45s. CD booklet features photos of the musicians & informative liner notes by the man who compiled it, Hicham Chadly.

10 June 2014

OUT NOW! CHOUBI CHOUBI FOLK AND POP SOUNDS FROM IRAQ 2LP SF025

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

OUT NOW! 

CHOUBI CHOUBI FOLK AND POP SOUNDS FROM IRAQ 2LP 

SF025
To hear samples and order — Forced Exposure


Originally released in 2005, while the U.S.-led war against Iraq was tearing the country to pieces, Choubi Choubi Vol. 1 brought a collection of incredible Iraqi music and styles that had rarely showcased abroad. This 2014 deluxe-edition vinyl reissue is a must-have. It features re-mastered, and in some cases, completely restored audio, revised and updated liner-notes with new artist and track information, plus four additional tracks not featured in the first CD issue. Meticulously compiled by Mark Gergis from his archives of Iraqi cassettes and LPs found in Syria, Europe and the Iraqi neighborhoods of Detroit, Michigan and elsewhere within the diaspora, this unique collection of folk and pop styles displays a wealth of outstanding music that is exclusive to Iraq. Choubi is Iraq's version of Middle Eastern dabke music, and can be found throughout the country. It's performed at weddings and parties nationally by its melting pot of Arabs, Kurds, Christians, and Rom gypsies -- known as Kawlia. The Kawlia have been some of the most active recorded choubi artists in Iraq since the 1980s, and many tracks featured in this volume feature their outstanding performances. There are many reasons why Iraqi music stands alone in the dynamic world of Arabic music: one example is the unbelievable rapid-fire machine-gun rhythms fluttering atop the main tempo. This is the work of a unique nomadic hand drum called the Khishba -- also known as the Zanbour (Arabic for wasp). A style prominently featured here is the infamous Iraqi Choubi -- a driving, rhythmic style that can include fiddles, double reeded instruments, percussion, bass, keyboards and oud over its signature beat. Other styles featured are the Basta (an urban Baghdadi sound), Iraq's legendary brand of Mawal -- an ornamental vocal improvisation that sets the tone of a song, regardless of the style, and the outstanding Iraqi Hecha -- with its lumbering and determined rhythm pulsing beneath sad, antagonized vocals. Most of the music in this collection was produced during the Saddam period -- between the 1980s and 2002. Since the 2003 invasion and the wholesale disassembly of the country, classic tracks like these have already become part of a disappeared past. This limited edition 2LP vinyl release features 70 minutes of classic original recordings compiled by Mark Gergis, housed in a beautiful full-color gatefold jacket with extensive liner-notes and a bonus 7" with a picture sleeve.

09 June 2014

INTERVIEW WITH HISHAM MAYET AT BROWNBOOK

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

INTERVIEW WITH HISHAM MAYET  

AT BROWNBOOK


20140327_Mayet_005-2

05 June 2014

OUT NOW! VA: 1970s ALGERIAN FOLK AND POP CD

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

VA: 1970s Algerian Folk and Pop CD

 

SF - 088 CD

To hear samples and order- Forced Exposure:



Sublime Frequencies is thrilled to present a second volume of classic tracks from Algeria's popular music history. Where volume 1 focused on the early to mid-1970s Rai scene in western Algeria, this album features a variety of pop and folk styles from that same period. From the heavier rock and psychedelic sounds of Rachid & FethiLes Djinns and Les Abranis, to the haunting folk music of Kri Kri and Djamel Allem and the film soundtrack moods of Ahmed Malek1970s Algerian Folk & Pop documents a key period in the modern musical renaissance of a nation in transition. Most of these tracks are from 45 rpm singles, the key format during the early 1970s before the cassette took over as the medium of choice. Western musical influences can be heard throughout this extremely diverse record, yet there is an undeniable Algerian sense of sadness contained here within a more tolerant space in time between two of the country's most significant historical periods; National Independence from France and the darker times of a brutal civil war yet to come. Compiled by Hicham Chadly, this CD comes in a digipak with a booklet featuring lovely images from the period and extensive liner-notes by Omar Zelig, Algeria's most legendary radio DJ.

20 May 2014

OUT NOW! VA: 1970s ALGERIAN FOLK AND POP LP

SUBLIME FREQUENCIES COMMUNIQUÈ
SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA


http://www.sublimefrequencies.com

VA: 1970s Algerian Folk and Pop LP 

- Limited Edition

SF - 088 LP

To hear samples and order- Forced Exposure:



Sublime Frequencies is thrilled to present a second volume of classic tracks from Algeria's popular music history. Where volume 1 focused on the early to mid-1970s Rai scene in western Algeria, this album features a variety of pop and folk styles from that same period. From the heavier rock and psychedelic sounds of Rachid & Fethi, Les Djinns and Les Abranis, to the haunting folk music of Kri Kri and Djamel Allem and the film soundtrack moods of Ahmed Malek, 1970s Algerian Folk & Pop documents a key period in the modern musical renaissance of a nation in transition. Most of these tracks are from 45 rpm singles, the key format during the early 1970s before the cassette took over as the medium of choice. Western musical influences can be heard throughout this extremely diverse record, yet there is an undeniable Algerian sense of sadness contained here within a more tolerant space in time between two of the country's most significant historical periods; National Independence from France and the darker times of a brutal civil war yet to come. Compiled by Hicham Chadly, this limited edition LP comes in a full-color gatefold jacket with lovely images from the period and extensive liner-notes by Omar Zelig, Algeria's most legendary radio DJ.